TEACHERS OF THE UIL SCHOOL VISITING THE CHURCHILL ROOM TO REAFFIRM THE FOUNDING VALUES OF EUROPE

UIL School teachers from various parts of Italy - in compliance with the distances and Covid rules - visited the "Churchill Room" of the Museum re-reading the text that the British statesman wrote about the "United States of Europe".
"A significant symbolic act - they said - necessary at this very moment to strengthen the minimal traces of a united and united Europe that are leaving a distinctive mark in this difficult moment in human history".
The teachers recalled the visit to the Museum and the "Churchill Room" on May 31, 2018 by viewing the photos and documents of that day in the visitors' archive.
At the end of the visit, President Capasso gave visitors the booklet on the "Churchill Room" containing documents and images on the history and authenticity of the site where the British statesman stayed in the months of August and October 1944
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VISITORS TO THE MUSEUM FOR THE ROUTES DEDICATED TO MIGRANTS

Visitors from various parts of Italy visited - in full compliance with COVID rules and with due distances - the Museum and, in particular, the paths dedicated to migrants, expressing emotion for a unique and extraordinary place.

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DON MIMMO BATTAGLIA, ARCHBISHOP OF NAPLES, TAKES OFFICE. SIGNS THAT BECOME DREAMS

On February 2, the inauguration ceremony of the new Archbishop of Naples took place: Monsignor Domenico Battaglia, or Don Mimmo, as he likes to be called. Don Mimmo's day - 57 years old, originally from Calabria but until 12 December bishop of the small diocese of Cerreto Sannita (just 90,000 inhabitants) - began very early with a prayer in the cloistered convent of the Sacramentine.
Then immediately after he wanted to touch and visit the city with the meeting with the relatives of a vigilantes killed, years ago, by some boys; so he wanted to hear the words of a Nigerian girl who arrived in Italy after a journey of exploitation and violence, then fell ill with AIDS. And again he was at the home of a worker at the Whirlpool plant in Naples, and in San Giovanni a Teduccio in the "Sons of Mary" association. And with some of them he wanted to enter the cathedral where his predecessor, Cardinal Sepe, was absent, because he was still recovering after Covid.
But for Battaglia the imperative, in the years that will see him at the helm of the largest diocese in the South, will have to be to reorganize the conscious hope that from today, he said during the meeting with the authorities, "a new stretch of road and my greatest desire is to be able to regain the ability to dream together "especially in a time, like that of the Covid emergency, which has" ended up increasing inequalities and with them social tensions ".
At the meeting with the authorities, in addition to the mayor of Naples, Luigi de Magistris and the governor of Campania, Vincenzo De Luca, the ministers Enzo Amendola and Gaetano Manfredi were also present. Battaglia said that "Signs that become dreams: right today here in Naples we must dream together, because if we really intend to regain possession of the dream, we know very well that it is necessary to return to reasoning in terms of ourselves, we must start again to think in the plural".
We all greatly appreciated his words full of hope and Christian values ​​and, above all, of hostility towards Love for the Power which must transform itself into the Power of Love. We will not let him miss our presence during his pastoral journey
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FEAST OF SAN GIOVANNI BOSCO AT THE MUSEUM OF PEACE

On the occasion of the Feast dedicated to San Giovanni Bosco, numerous initiatives were held at the Museum of Peace: meetings of young people, visits to the emotional itineraries dedicated to Don Bosco, common prayers in the Chapel with the relics of Don Bosco and Mother Mazzarello.
On this occasion, a celebration of Holy Mass was officiated with a moment of prayer and reflection on the work of Don Bosco for young people
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NOT TO FORGET: THE MEMORIAL DAY AT THE MUSEUM

Like every year, the Museum of Peace held various events with school students and various groups of visitors on the occasion of the "Memorial Day".
In the Sala Israel - inaugurated by Shimon Peres - various videos were projected, some unpublished, too, on the Shoah and on the deportation of Jews to the various concentration camps.
Emotion and participation in particular by looking at the testimonies of Andra and Tatiana Bucci on the occasion of their visit to the Peace Museum. Their story is moving: daughters of a Jewish mother, in 1944 - when they were only 6 and 4 years old - they were deported to Auschwitz and survived.
Today Tatiana lives in Brussels, while Andra between the United States and Europe.
On this occasion, the book "Storia di Sergio" by Alessandra Viola, Andra Bucci and Tatiana Bucci was presented: the story of their Neapolitan cousin who died in concentration camps
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WASHINGTON 01.20.2021, PRESIDENT BIDEN IS IN OFFICE

The 46th President of the United States of America Joe Biden took office in the White House.
The president of the Fondazione Mediterraneo Michele Capasso, the Board of Directors, the Scientific Council, the International Committee and the representatives of the branch offices express their wishes to the new president for a concrete action in this difficult moment in history based on freedom, solidarity and values shared for the Common Good.

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ANNIVERSARIES AT THE MUSEUM: ONE HUNDRED YEARS SINCE THE BIRTH OF MARIO POMILIO

Great influx of links and contacts on the multimedia platform of the Museum of Peace - MAMT for the centenary of the birth of Mario Pomilio.
The president Michele Capasso, in connection, collected various testimonies and recalled the friendship between the writer and his paternal uncle Celestino Capasso.
Writer and essayist Mario Pomilio (who died in 1990) wrote famous works such as "La compromissione" (winner of the Campiello Prize in 1965), "Il quinto evangelio" and "Il Natale del 1833", in which he plumbs the spiritual travail of Alessandro Manzoni ( Strega Award in 1983)."He approached religious reflection in the course of his life. His Christianity was very much filtered by the Enlightenment and by reason", his daughter Annalisa told of him in an interview with "Famiglia Cristiana" in 2015 which we propose here.

A clear, vivid image resurfaces from the ocean of memories. "It's 1983: we are at the seaside in Baia Domizia, in my parents' house", says Annalisa Pomilio. "We are sitting in front of a small black and white television to watch the Strega Award ceremony live." That year, in fact, the jury crowned Mario Pomilio, his father, author of Il Natale del 1833. A novel of strong impact, challenging from the thematic point of view, a challenge from a stylistic point of view: following the Manzoni form of the mixed composition of real documents and invention, historical reconstruction and fiction, Pomilio plumbs the human and spiritual travail of Alessandro Manzoni starting from Il Natale del 1833, a fragment of an interrupted poem resulting from the pain of the death of his first wife, Enrichetta Blondel. The writer's anger at God, the outburst of a Christian man who, in the face of suffering, does not deny his faith but wonders why God can allow evil in the world. A reflection particularly dear to Pomilio.
«Dad came from a particular family», Annalisa recalls, «his mother was an extremely religious woman, his father was a socialist, atheist. Dad absorbed both souls of his parents into his personality. In his youth he was far from Christian themes. He then approached faith and religious reflection over the years and over his life. Surely his Christianity was very much filtered by the Enlightenment and by reason, he was a faith with a strong rational component, just like Alessandro Manzoni's faith was. Dad deeply felt the theme of human suffering as his own: it is emblematic that he wrote Christmas of 1833 when for some years he had been fighting against a very painful disease, rheumatoid arthritis, which caused him enormous suffering and at a certain point did not allow him more than writing. Christmas was born in a period of remission of the disease, in which arthritis had granted him a little peace".

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CONFERENCE: "IS IT REALLY CONVENIENT TO DO BUSINESS 4.0?"

The Conference “Is it really worth doing business 4.0?” Organized by Phantasya Communication took place at the Museum of Peace - MAMT.
On the large video wall screens of the 5 floors of the Museum, in compliance with Covid 19 rules, there were links with various countries on the subject of business and multimedia
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ANNIVERSARIES AT THE MUSEUM: ONE HUNDRED YEARS SINCE THE BIRTH OF TURI FERRO

Great influx of links and contacts on the multimedia platform of the Museum of Peace - MAMT for the centenary of the birth of Turi Ferro.
President Michele Capasso, in connection with the City of Catania, recalled the "great Sicilian actor naturally linked to the great authors of his Sicily".
Turi Ferro, whose 100th anniversary of his birth on 10 January and 11 May will be the winds of his death in 2001, was above all Pirandello in an exemplary way, managing to bring together, in the ambiguity typical of the great playwright's poetics, his well-known comic qualities with high and dramatic ones playing on times and pauses.
"Usually an actor, during breaks, makes it clear that he is reflecting on a line. Turi did and gave more, an added value - Andrea Camilleri testified - he inserted in his acting certain absolutely comic pauses in a dramatic context, he brought irony, modifying the direction, like any real actor ".

A complete actor, capable of giving life to characters who must arouse laughter, how to move with suffering, to act in Italian as in the Sicilian language, he was also an important character who certainly contributed to the construction of the modern identity of his city, Catania , making the authors and traditional and contemporary texts love, from Verga to Sciascia, but above all creating in 1958 with the best actors of the region, Rosina Anselmi, Michele Abbruzzo, Umberto Spadaro, that cultural center that is still the Teatro Stabile, of which it has been the symbol and soul for over 40 years. And it is the Stabile itself that promotes and coordinates the celebrations for this centenary, with shows, exhibitions, publications, which have been stopped for now by the pandemic.
His skill meant that an actor with natural talent appeared, instinctively, while he was a true professional and each character cost him effort, it was the result of a demanding job always spurred on by questions and doubts in deconstructing and then reconstructing a text, a part. Only then did the literary word find the measure of fiction, that intrinsic musicality that made it a body, turning out to be true, as happens with true art. Born in Catania in the last days of 1920 but registered on January 10, 1921, Salvatore Ferro, known as Turi, begins to act very young, at the Coppola theater in Catania, in the amateur dramatics company, directed by his father Guglielmo Ferro and alongside another Guglielmo , his son, who bears the name of his grandfather, will end his career by having him sign the direction of his latest shows, including a Shakespeare's' Storm 'in which by now eighty was a magical Prospero, a show told in a docufilm by Daniele Gonciaruk' Turi Ferro - The last Prospero 'who extends the investigation to the entire personality of the actor.

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ANNIVERSARIES AT THE MUSEUM: ONE HUNDRED YEARS AFTER THE BIRTH OF LEONARDO SCIASCIA

Great influx of links and contacts on the multimedia platform of the Museum of Peace - MAMT for the centenary of the birth of Leonardo Sciascia.
There is no emphasis on calling him one of the greatest and most influential Italian intellectuals of the twentieth century. "Probably the only figure that can be approached to Sciascia, despite the evident and very profound differences due to the impact on the cultural and political debate and the extraordinary ability to interpret his contemporaneity, is that of Pier Paolo Pasolini" said the president Michele Capasso in the room where the great writer's books and documents are kept. It is no coincidence that Pasolini himself became aware of Sciascia's talent right from his debut in the post-war period, with the Fables of the Dictatorship, in which a ferocious political satire was already revealed behind the stylistic code of Aesopian fables.
Beyond the civil passion, a trait that unites the two great authors is versatility: Sciascia was a writer, playwright, essayist, journalist, teacher, poet and even politician, first independent in the ranks of the Communist Party (from which he left because he did not share the line of the "historical compromise") and then for the Radical Party, of which he shared the great guarantee battles.

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