MAMT||Museo Mediterraneo dell' Arte, della Musica e delle Tradizioni (EN)

The MAMT- Mediterranean Museum of Art, Music and Traditions is an institution created by the Fondazione Mediterraneo with the aim “to experience” in an interactive way, the positive emotions of Our Sea through Arts, Music and Traditions. The MAMT is one of the most important initiatives of Fondazione Mediterraneo: an active space created in order to let communicate Arts, Music and Traditions of the Mediterranean contemporary society. The awareness of a past full of ancient traditions is the base for the construction of a rational and connected humanity: the vastness of the Mediterranean area collects together the responsibility, the hard work and intelligence with the ability to share spaces and cultures. Today, more than ever, the sense of future is given by the awareness of the sorrow, of the conflicts and at the same time by the ability to share joys and bond.
Art and Music are since ever the tool of communication and sharing of the humanity that, in a particular “Mediterranean” path, allows us to overtake the violence of the human being that showed itself in his greater brutality in countries as Bosnia, Palestine, Syria and other places: as testify of this there are Bosnia, in order not to forget and Suffering and Hope in the world, exhibitions of the museum.

At the same time there are symbols inviting to meeting and hope appear in lands of desolation and Hush: The Ferrigno Nativity Scene, the exhibition a Sea, three Faiths, the Peace and the Last Neapolitan Supper are part of the Museum.
Near the Totem of Peace and other works by Mario Molinari, sculptor of the color, accompanies the lonely journey of freedom, the Dreamlike World of John Crown and the desire of participation and recognition of the role of women in the Mediterranean in the exhibition “Breaking the Veils, women artists of Islamic World”.
Fado, Flamenco, Tango and Sirtaki, the Song of Naples, the Great Lyric Operas, Arabic Music and the Classics of all the times catch the attention of the audience with the acoustic perfection of the “Music hall” of the Museum.
The section dedicated to Pino Daniele has a particular meaning.
The warm of the Mediterranean human nature and the awareness of the necessity to keep track, the the wealth and the fertility find in the “Section Architecture” – with the Associated presences of Alvaro Siza, Ciamarra Picas, Vittorio Di Pace, Nicola Pagliara, Marco Introini and others - and in the Voices of the Migrants and other strong point.
The artworks of Pietro and Rino Volpe mark Mediterranean signs in which the culture and the literature merge with the creativity making a unique collection.
A collection of HD video about the most important sites of the Campania Region will accompany the tourists of cruises and the visitors in the whole building: the ground floor facing on Municipio Square will host an info-point unique in its kind. The MAMT is also an articulated system of services in the heart of the city of Naples: the library, the emeroteque, the music hall, salt conventions, the restaurants, the Euromedcafé, the residences and the bookshop receive the visitor with sympathy and enthusiasm: that enthusiasm of the Mediterranean!

Great influx of links and contacts on the multimedia platform of the Museum of Peace - MAMT for the centenary of the birth of Turi Ferro.
President Michele Capasso, in connection with the City of Catania, recalled the "great Sicilian actor naturally linked to the great authors of his Sicily".
Turi Ferro, whose 100th anniversary of his birth on 10 January and 11 May will be the winds of his death in 2001, was above all Pirandello in an exemplary way, managing to bring together, in the ambiguity typical of the great playwright's poetics, his well-known comic qualities with high and dramatic ones playing on times and pauses.
"Usually an actor, during breaks, makes it clear that he is reflecting on a line. Turi did and gave more, an added value - Andrea Camilleri testified - he inserted in his acting certain absolutely comic pauses in a dramatic context, he brought irony, modifying the direction, like any real actor ".

A complete actor, capable of giving life to characters who must arouse laughter, how to move with suffering, to act in Italian as in the Sicilian language, he was also an important character who certainly contributed to the construction of the modern identity of his city, Catania , making the authors and traditional and contemporary texts love, from Verga to Sciascia, but above all creating in 1958 with the best actors of the region, Rosina Anselmi, Michele Abbruzzo, Umberto Spadaro, that cultural center that is still the Teatro Stabile, of which it has been the symbol and soul for over 40 years. And it is the Stabile itself that promotes and coordinates the celebrations for this centenary, with shows, exhibitions, publications, which have been stopped for now by the pandemic.
His skill meant that an actor with natural talent appeared, instinctively, while he was a true professional and each character cost him effort, it was the result of a demanding job always spurred on by questions and doubts in deconstructing and then reconstructing a text, a part. Only then did the literary word find the measure of fiction, that intrinsic musicality that made it a body, turning out to be true, as happens with true art. Born in Catania in the last days of 1920 but registered on January 10, 1921, Salvatore Ferro, known as Turi, begins to act very young, at the Coppola theater in Catania, in the amateur dramatics company, directed by his father Guglielmo Ferro and alongside another Guglielmo , his son, who bears the name of his grandfather, will end his career by having him sign the direction of his latest shows, including a Shakespeare's' Storm 'in which by now eighty was a magical Prospero, a show told in a docufilm by Daniele Gonciaruk' Turi Ferro - The last Prospero 'who extends the investigation to the entire personality of the actor.

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Great influx of links and contacts on the multimedia platform of the Museum of Peace - MAMT for the centenary of the birth of Leonardo Sciascia.
There is no emphasis on calling him one of the greatest and most influential Italian intellectuals of the twentieth century. "Probably the only figure that can be approached to Sciascia, despite the evident and very profound differences due to the impact on the cultural and political debate and the extraordinary ability to interpret his contemporaneity, is that of Pier Paolo Pasolini" said the president Michele Capasso in the room where the great writer's books and documents are kept. It is no coincidence that Pasolini himself became aware of Sciascia's talent right from his debut in the post-war period, with the Fables of the Dictatorship, in which a ferocious political satire was already revealed behind the stylistic code of Aesopian fables.
Beyond the civil passion, a trait that unites the two great authors is versatility: Sciascia was a writer, playwright, essayist, journalist, teacher, poet and even politician, first independent in the ranks of the Communist Party (from which he left because he did not share the line of the "historical compromise") and then for the Radical Party, of which he shared the great guarantee battles.

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This morning a large influx of visitors and students, especially from elementary and middle schools, on the multimedia platforms and social channels of the Museum of Peace - MAMT to celebrate the “224th anniversary of the birth of the tricolor flag”. Videos, images and documents - since the first presentation of the tricolor in Genoa in 1789 - have involved young visitors. There are many connections, in particular with the city of Reggio Emilia for the main celebrations in that city.

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The 41st anniversary of the death of Piersanti Mattarella is celebrated on the multimedia platforms of the Museum of Peace - MAMT On this occasion, pages from Giovanni Grasso's book “Piersanti Mattarella. Alone against the mafia” and the images of the programming that RAI has dedicated to all the networks and newspapers.
For high schools, a crime card was proposed, with subsequent investigations and the trial history: but, above all, the human and political figure of Piersanti Mattarella with the images of the Teche Rai, the interviews released by himself and some unpublished photographs
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Holland, Luxembourg, France, Spain, Denmark, Ireland, Moldova, Philippines, East Timor, Burma, Portugal, Russia, China, Japan, Morocco, Tunisia, Egypt: some of the countries of origin of the more than 50,000 visitors to the Museum of Peace - MAMT connected in streaming on the platforms of the Peace Museum - MAMT during the Christmas holidays.
Ten thousand visitors between yesterday and today alone on the occasion of the sixth anniversary of the death of Pino Daniele: excited by the videos in the section dedicated to the great missing musician
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