All Events and Initiatives || Year by Year

The Ambassador of Afghanistan in Italy Khaled Ahmad Zekriya, welcomed by the President of the Fondazione Mediterraneo Michele Capasso, visited the Museum of Peace - MAMT and, in particular, the section dedicated to "Molinari, sculptor of colour".
There was particular emotion in front of the Totem for Peace: the monumental work by Mario Molinari, symbol of the United States of the world.

Read more: ...

The Fondazione Mediterraneo - together with the Anna Lindh Italia Federation, the Kimiyya programme and the Museum of Peace - MAMT - celebrated in Naples and in other Euro-Mediterranean cities the International Day for the Elimination of Violence against Women. This event was established by the General Assembly of the United Nations through resolution number 54/134 of 17 December 1999.
The United Nations General Assembly," President Capasso reminded the many women present at the Museum of Peace, "designated 25 November as the date of the anniversary and invited governments, international organisations and NGOs to organise activities on that day to raise public awareness of the problem of violence against women.
The date of the International Day for the Elimination of Violence against Women also marks the beginning of the "16 days of activism against gender-based violence" preceding World Human Rights Day on 10 December each year, initiated in 1991 by the Center for Women's Global Leadership (CWGL) and supported by the United Nations, to highlight that violence against women is a violation of human rights. This period", said President Capasso, "includes a number of other significant dates, including 29 November, Women Human Rights Defenders Day (WHRD), 1 December, World AIDS Day, and 6 December, the anniversary of the Montreal Polytechnic massacre, when 14 female engineering students were killed by a 25-year-old man who claimed he wanted to fight feminism".
In many countries, such as Italy, the colour displayed on this day is red and one of the symbolic objects is red women's shoes, lined up in squares or public places to represent the victims of violence and feminicide. The idea came from an installation by Mexican artist Elina Chauvet, Zapatos Rojos, created in 2009 in a square in Ciudad Juarez, and inspired by the murder of her sister by her husband and the hundreds of women kidnapped, raped and murdered in this border town in northern Mexico, a hub of the drug and human trafficking market. The installation has since been replicated in many countries around the world, including Argentina, the United States, Norway, Ecuador, Canada, Spain and Italy. The campaign in Italy is being carried out in particular by the Anti-Violence Centre and women's associations working in the field of violence against women.
And it was precisely red that welcomed the many visitors - in compliance with the anti-Covid 19 rules - who came to the Museum. There was great emotion in the Marrakech Room, where the walls are lined with the blank footprints of violated women whose stories can be seen on the Museum's video wall screens.

Read more: ...

With co-financing from the Campania Region, the Museum of Peace - MAMT has extended its braille signage, becoming one of the most advanced museum sites: 56 new plaques have been installed, in addition to the large plaque dedicated to the United States of the World, which now enriches the emotional paths for the blind.
Among the first visitors was a group of Tunisians with some blind people who complimented the quality of the Braille language.

Read more: ...

Great emotion at the San Carlo Theatre, full in every order of seats.
Mameli's anthem, the audience on its feet. And five minutes of applause. This is how the President of the Republic Sergio Mattarella is welcomed at the San Carlo for the premiere of Verdi's Otello, directed by Mario Martone.  The Head of State was received at the entrance of the theatre by the mayor of Naples, Gaetano Manfredi, the president of the Campania Region, Vincenzo De Luca, the prefect Claudio Palomba and the superintendent of the Neapolitan Massimo, Stephane Lissner.
There is a Western army in the Middle East, we see soldiers scrambling to make a career. A decidedly different scene from the original performance at La Scala on 5 February 1887. a predictable triumph, even then. "For music and drama intertwine and clasp each other in indissoluble knots", the opera's timeless summary. "Esultate", "Innaffia l'ugola" and the love duet in the first act, "Credo in un dio crudel" and "Sì pel ciel marmoreo io giuro", but also "Dio mi potevi scagliar", the "Canzone del salice" and "Niun mi tema" established its fame. With exceptional singers.
Jonas Kaufmann is the 'Moor' without the black face ('I couldn't and wouldn't want to anymore', says Martone). The star plays Otello with Yusif Eyvazov.
The guest of honour is President Sergio Mattarella. Mayor Manfredi shook his hand and accompanied him inside, already looking beyond: "For now we are content with one night, but Naples must always be the capital". Governor De Luca agreed. In the royal box, the President of the Chamber of Deputies Roberto Fico, Education Minister Patrizio Bianchi and Undersecretary Enzo Amendola.
The star in the audience is Toni Servillo, the actor greets the French ambassador to Italy, Christian Masset: he is expected in Paris on 7 December to present the film nominated for an Oscar by Paolo Sorrentino. Magistrates Federico Cafiero de Raho and Giovanni Melillo, and Rai's managing director Carlo Fuertes also arrive. On the balcony sit one hundred university and conservatory students, thanks to the supporters of Concerto d'imprese. And students from the Academy of Fine Arts in Naples engaged as interns on the new "On" platform for a training project on digital professions.
Roses were thrown at the end of the curtain and the Head of State was applauded as he left.

Read more: ...